Slinkies, blocks and train sets seeks to capture the boundless power of a child’s imagination, weaving two vivid scenes of childhood through exploratory blocks of musical development.
Inspired by a trip to Paper Mill Lock in Essex, this piece encapsulates the dragonflies and damselflies seen dancing along the canal water in the heat of the summer sun.
Mycellium echoes takes the concept of ecological harmony in fungi to create a work for seven flutes which grows out of its canonic echoes, isorhythms and intervallic rotations.
Memories in rust and cobwebs musically encapsulates the percussive nature of a scrapyard, the decaying artefacts, and the lingering memories found within them.
Written as part of Britten Sinfonia’s Opus 1 Scheme, Scrolling, scrolling… scrolling! aims to symbolise how mobile phones and social media are drawing us away from our realities.
Written for Belle Quartet's first EP, this piece takes inspiration from Brian De Palma's The Untouchables (1987) in portraying the murky underworld of a prohibition stricken Chicago.
On moor and mountain takes the first line of a Fukada Chiyo-ni thought-provoking haiku and creates a landscape inspired by Native America and its musical culture.
Written for 'Fifteen Minutes of Fame with Eunice Koh,' this short piece aims to explore the cello without the bow and portray a fraying rope and its eventual break.
Shortlisted as part of PoppyHarp Composer Project 2024, Water miniatures intends to reflect the journey of water along the River Ystywth towards the Atlantic Ocean and beyond.
Commissioned by esteemed flautist Carla Rees as part of the 2023 PLAY! Festival, this work for alto flute encapsulates a birdsong which never receives a reply.
Written during my composer-in-residence at Royal Holloway Picture Gallery, I collaborated with poet Genevieve Stevens to write this vocal octet inspired by a Luke Fildes' painting.
